7 Blog

Movies, dining and things to do / Spokane and North Idaho

Mead High School grad gets on ‘The Voice’

Brenna Yaeger, a 19-year-old who graduated from Mead High School last year, made it through the blind auditions of the NBC singing competition "The Voice" on Tuesday night.

Yaeger, who sang the Miranda Lambert song "The House That Built Me," was a finalist in the 2011 Spokane's Got Talent competition, and she wrote and recorded a single in 2012 called "Car Crash."

Her performance on "The Voice" had two judges vying to have her on their team - Adam Levine and Blake Shelton. Given Yaeger's country roots, she went with country superstar Shelton. 

"The Voice" airs on Mondays and Tuesdays on NBC. Follow Yaeger on Twitter @brennayaeger, on Facebook, and on Instagram. Meanwhile, if you missed it, here's the performance that got Yaeger through to the next level:



Flash-Bach worth checking out

In his review in today’s paper of the Catalyst String Quartet Bach Festival performance at St. John’s Cathedral on Sunday afternoon, Spokesman-Review classical music critic Larry Lapidus wrote this: “that if the world of music holds any pleasure greater than hearing Zuill Bailey play Bach, I have yet to find it.”

Those who love classical music, or those whose interest in it is only passing, have had several chances in recent days to hear what Lapidus is talking about. Bailey has been popping up around town during the noon hour, playing whichever of the six J.S. Bach Suites for Unaccompanied Cello suits his fancy.

I’ve caught two of the four held so far ­– the first one, held in the atrium at River Park Square, and yesterday’s, held in the city council chambers in Spokane City Hall. (Certainly a room that could use all the harmony it can get.) Each session has started with an introduction – details about Bach, about the festival, and about Bailey’s cello, a 1693 instrument built as a church bass by the Italian Matteo Gofriller. After the music plays, there’s a pop quiz for the chance to win concert tickets, and an opportunity for questions.

These free “Flash-Bach” concerts are a perfect excuse to spend a little time in the lunch hour enjoying some culture. It’s these kind of artistic events that make a city feel more alive, more vibrant. So if you’re out and about downtown today, head over to the Bank of America building at at noon today. Bailey will be in the lobby, ready to wow you with some Bach.

Can’t make it today? What about Thursday? Bailey will set up in the Kress Gallery in River Park Square (that’s up on the third floor, behind the food court) for a “Bach’s Lunch” concert, also at noon. Brown-bag it from home, or grab something in the mall and enjoy lunch with a beautiful – and free – soundtrack.

The final Flash-Bach concert will be on Friday, at a location yet to be publicly announced (though sources say it will be in the Valley). Check the festival’s Facebook page on Friday morning for details, or visit nwbachfest.org for information on the remaining Twilight Tour concerts featuring violinist Soovin Kim, and the two remaining Classics Concerts on Saturday and Sunday night.  

As Bailey ends the second year in his role as the Northwest Bach Festival’s artistic director, it’s been impossible not to notice how revitalized the event is. And that’s a good thing – not just for fans of classical music, but for Spokane as a whole.


Talk to filmmaker Aurora Guerrero tonight

One of the things I find most enjoyable about film festivals — besides seeing new movies, of course — is the chance such events provide us to hear filmmakers discuss their own works. Fortunately, sometimes you don't have to wait for festivals to take advantage of such opportunities.

Such as tonight. A screening of the 2012 film "Mosquito y Mara" will screen at 6 p.m. at Eastern Washington University's Riverpoint Campus. Specifically, in room 122 of the Phase 1 Building. More to the point, a question-and-answer session with writer-director Aurora Guerrero will follow the screening.

The screening, which is free, is sponsored by a Start Something Big Grant and by EWU.

Friday’s openings: This robot gots smarts

If you like artificial intelligence — and I'm not talking about the cyborgs that run Hollywood — then you'll probably like at least one of the movies that is set to open Friday in area theaters. Friday's openings are as follows:

"Chappie" (IMAX and Regular, no 3D): A mechanized police force starts to change when one of its number receives what many Hollywood producers already have — artificial intelligence. Hasn't anyone seen "Robocop"?

"The Second Best Exotic Marigold Hotel": Old English people find love and happiness in a run-down Indian hotel. For the second time.

"Unfinished Business": Vince Vaughn leads a team of business losers that is trying to score a big deal. It's a Vince Vaughn comedy, starring the "other" Franco brother, Dave. Which might be an improvement.

And at the Magic Lantern:

"Mommy": Here's the IMDB description: "A widowed single mother, raising her violent son alone, finds new hope when a mysterious neighbor inserts herself into their household." Oh, and it's in French (with English subtitles, naturally).

So go see a movie. And enjoy.

Mumford & Sons, Foo Fighters make plans for Walla Walla

Mumford & Sons, the popular British folk pop outfit, will be stopping over in Walla Walla this summer, bringing the Foo Fighters, the Flaming Lips, Jenny Lewis, the Vaccines, and a couple dozen more national and regional acts along for the ride.

Since 2012, Mumford & Sons has hosted a series of "Gentlemen of the Road Stopovers," two-night festivals in smaller communities that are off the beaten track. In addition to the Walla Walla Stopover on Aug. 14-15, the caravan will stop over in Seaside Heights, New Jersey, Waverly, Iowa, Salida, Colorado and Aviemore, Scotland.

Whitman College's Athletic Field will host the headlining concerts and Veterans Memorial Golf Course will be closed to accommodate camping for 26,000 people. Tickets are $199 for the two-day festival and will go on sale Friday through the Mumford website. Our colleagues at the Walla Walla Union-Bulletin have the scoop here.

Meanwhile, Mumford & Sons will have a new record, "Wilder Mind," out on May 4. It's their third album and a follow-up to their platinum-selling "Babel."

Of course, last time the band was in Eastern Washington was in 2013 for Sasquatch at the Gorge Amphitheatre in George. During some downtime, they hooked up with Elvis Costello for this little number. Enjoy:


Film program to remember, honor Oscar Romero

You don't hear the name Oscar Romero much anymore. Time was, though, El Salvador's Archbishop was in the news both for being a good man and — as happens so often to religious men of conscience — a martyr. It was on the 24th of March, 1980, that Archbishop Romero was assassinated, causing a world-wide furor.

Romero will be remembered in a special film program that will be held on Monday, March 30, at the Magic Lantern Theater. Sponsored by the nonprofit group Hermanas Spokane, the two-film program will screen the feature film "Romero" at 4 and 6:30 p.m. and the documentary "Monseñor: the Last Journey of Oscar Romero" at 4:15 and 6:45 p.m.

Tickets to each film costs $10, $8 for students (with valid ID). Funds raised will go to help build a sustainable library in El Salvador.

Leonard Nimoy takes his final bow: LLAP

Leonard Nimoy died today. LLAP, Mr. Spock. I offer the embed below in your honor.

(un)Bored Kids: Ducks and pucks

Looking for ways to keep the kids entertained this weekend? Check out these highlights of local family-friendly events:

Looff Carrousel - Now Open
The historic Riverfront Park attraction reopened today for 2015 after its annual spring cleaning. See Our Weekly Pick for Families for more information.

“Honk! Jr.”
Enjoy a family-friendly musical production adapted from the Hans Christian Andersen story “The Ugly Duckling” at Bing Crosby Theatre, presented by Christian Youth Theatre Spokane.
Event: Friday, Feb. 27, 7 p.m.; Saturday, Feb. 28, 3 & 7 p.m.; Sunday, Mar. 1, 3 p.m.

Read full post ›

‘Song of the Sea’ is one sweet view

I've already argued that "Song of the Sea" was overlooked by the Motion Picture Academy, which awarded its Best Animated Feature Oscar to the Disney film "Big Hero 6." Following is a transcription of the "Song of the Sea" review that I wrote for Spokane Public Radio

When I was a kid, anything marked “Made in Japan” meant something cheaply made. Toy cars my naval officer father brought home from the Korean War ended up breaking within minutes – and not just because of my penchant for holding junior demolition derbies.

All that changed, of course. For the past several decades, Japanese cars and motorcycles have been among the world’s best. As have been televisions, DVD players and other assorted electronics.

In terms of movies, the Japanese still produce my favorite works of animation. Hayao Miyazaki’s “Spirited Away” won the Oscar for Best Animated Feature in 2003. Miyazaki and the production company he founded, Studio Ghibli, have given us a sterling collection of anime features bearing such titles as “Princess Mononoke,” “My Neighbor Totoro” and “Castle in the Sky.”

Miyazaki, in fact, is the standard I use to gauge animation greatness. And even by that high standard, Irish filmmaker Tomm Moore fares well. Moore’s latest offering, “Song of the Sea” – which opens today at the Magic Lantern – was nominated for an Oscar. Its loss, though, is more a sign of Hollywood provincialism than any lack of quality.

Based on a story dreamed up by Moore, and fleshed out both by Moore and writer Will Collins, “Song of the Sea” involves traditional Scottish and Irish folktales involving “selkies” – creatures that live as seals in the ocean but as humans on land. The central plot device of John Sayles’ memorable 1994 film “The Secret of Roan Inish” is a selkie.

In “Song of the Sea,” Moore’s plot revolves around the family of a lighthouse keeper (voiced by Brendan Gleeson). On the night the keeper’s wife gives birth to their second child, a daughter named Saoirse, the woman – a selkie – is called back to the sea. Six years later, the keeper is still in mourning, his son Ben is resentful of his younger sister, Saoirse has never spoken a word and their grandmother is determined to take the children with her to live in Dublin.

Granny does so just when Saoirse is beginning to discover her own ties to the sea. So when Ben decides to sneak back home, Saoirse insists on tagging along. And together, the two must overcome a gaggle of obstacles – not the least of which is a band of owls bent on kidnapping Saoirse and the witch to whom the owls owe allegiance. Things grow ever more complicated when the children encounter other strange creatures and when the sea begins calling Saoirse, too.

What underscores Moore’s story are the strong emotional ties, especially the link between the siblings that grows as Ben gradually begins to realize the love he feels for his sister. Add this to some of the most beautiful animated backdrops – of the Irish countryside, of the Irish coast and particularly of the Irish sea – and you have not just an animated movie but an actual moving work of art.

One that’s just as good as, if not better than, anything made in Hollywood – or in Japan.

Durkin’s: The wait was worth it

Above: Wednesday night at Durkin's Liquor Bar, grilled pork chop at the top, fish and chips at the bottom.

As I've witten here in the past, one of the things I've most enjoyed about living in Spokane is that I seldom have to wait to be seated in a local restaurant. Because if I have to wait, I'm usually within five minutes of some other place that will seat me almost immediately.

That quality of Spokane life, sad to say, is changing. As new places open, and as they attract popularity, you can't just walk in anymore and expect to get the booth of your own choosing. But as they say, life changes, and you better change with it or you'll get left behind.

I took some baby steps toward change last night by accepting my wife's invitation to eat dinner at Durkin's Liquor Bar, which sits on a stretch of Main Avenue that used to house Dutch's Inc., once one of Spokane's best-known pawn shops. I'd called earlier in the day only to discover that the eatery doesn't accept reservations — a growing custom that I don't understand or like.

So, of course, when we showed up just after 6 p.m., the place was packed, and five or so other people were already waiting. But my wife calmed me down, we ordered drinks and, after waiting a little more than 10 minutes, we scored two seats at the bar.

While Durkin's is, technically speaking, a restaurant, it is set up like a bar. Seats run up and down the length of the room, facing the cooking area and the bar itself. On the opposite wall, a series of four-person booths offers more traditional dinner seating (but good luck snaring one of those). The place also offers a downstairs bar, though it was being used for a private function the night we visited, and a table near the entrance that — apparently — can be reserved for larger parties.

Anyway, after being seated, drinks still in hand, we perused the menu. Since Inlander Restaurant Week was still going on, and since Durkin's was participating, we split our order: My wife ordered off the set three-course meal (chopped salad, grilled pork chop, butterscotch pie dessert), while I opted for the regular menu (roasted tomato salad, fish and chips). We shared her dessert.

Our overworked server was polite, friendly and — for the most part — competent. Our salads came quickly enough, but our entrees arrived several minutes after others around us had been served (and only after I asked our server to check on our order). And when the bill came, my wife's meal wasn't listed (a fact we pointed out, for which the bartender thanked us).

So, overall, the experience was positive. My salad was perfect, the fish and chips better than I've had anywhere else in Spokane (and almost as good as what I ate last October in Iceland), and the bites I had of the dessert made me want more (a temptation I resisted). My wife's set-course salad was teeny, but that's a minor complaint, because the bite I had of her pork chop was scrumptious.

No, I have to admit that if Durkin's is a sign of how things are changing in Spokane, then the city — at least gastronomically — is headed in the right direction.

And I guess I'll tag along, too. I'd hate to get left behind. 

Have you ever seen a real wizard at Merlyn’s?

Does a troll live under the Monroe Street Bridge?

Would Bigfoot crowd surf at Sasquatch?

Are there mermaids in Lake Coeur d'Alene?

If you have a creative answer to these queries—or a different magical question—we want to hear it! Our 2015 Limerick Contest “Once Upon a Time in the Inland Northwest” ends Mar. 6. Submit your limerick online or email your entry to contest@spokane7.com.

Winners in general and youth categories will receive a gift certificate to Auntie’s and be invited to read their submissions at a special Auntie’s St. Patrick’s Day event in mid-March.

A fictional trailer far better than what it parodies

One of the talented guys behind one my favorite web series, "Transolar Galactica," has a particularly twisted sense of humor. So twisted that it neatly matches mine. That's why I am offering the embed below, which is Adam Harum's mashup of movie trailers into something greater than both: "Fifty Shades of Gandalf the Grey." Enjoy.


SpIFF 2015: Help make the festival better

Above: Co-director Nicholas Hudak films a scene for the documentary "Where God Likes to Be." 

When you're part of an ongoing event that attempts to attract, not to mention engage, the public, it's seldom easy to figure out how you're doing. Say, you're a restaurant that nobody goes to: Is it because the food sucks, the service sucks, the decor sucks or any combination of the above (including all of them).

The easiest solution: Just ask those who do seem to appreciate what you have to offer.

This year's Spokane International Film Festival was one of the most successful on record. Oh, we may have offered better lineups (as one of the festival programmers, I'll accept part of the blame). But the strange thing is, overall reactions to the 2015 films — based on the scores that viewers gave to individual screenings — were the highest in history.

More telling, it was difficult to attend any of the Magic Lantern showings because with the theater's two smallish houses — 100 and 33 seats, respectively — most of the programs sold out. Even the shows at the 204-seat AMC River Park Square house were packed.

So, yes, SpIFF 2015 did pretty well. But the board of directors — on which I serve — want the event to get even better. That's why festival director Pete Porter is offering all who attended a chance to comment on their experience. Porter is looking not only for what fest-goers liked but what they didn't like — and what they'd like to see in 2016.

You can access the SpIFF survey by clicking here.

Remember, this is your festival, too. So do your part to make sure Porter and the rest of us can make it even better.

Enter to win a Big Night Out with Jonny Lang

Have you heard about our Big Night Out monthly giveaways? We’re giving away a fun night out every month in 2015. Along with a gift card for use at a regional restaurant, winners will receive tickets for an entertainment event—concerts, movies, sports and more.

This month, we’re giving away two tickets to see blues rocker Jonny Lang live in concert at Northern Quest Resort & Casino along with a $50 gift card to EPIC. Lang's seventh album, "Fight for My Soul," his first studio album in seven years, was released in September 2013.

Oh, and one more thing…at the end of 2015, all entries will go into a Big Night Out GRAND PRIZE giveaway. So enter each month for a total of 12 chances to win an extra special Big Night Out from Spokane7.

Enter to win February’s Big Night Out and check out all the great Contests we’re hosting this month.

Photo: Piper Fergusson

Friday’s openings II: Mainstream horror

The Oscars are gone and done with for another year. The effect for area moviegoers will still be reverberating on Friday, though, with both Oscar nominees and winners playing at the Magic Lantern (see post immediately below) and a second run of the winning Oscar animated feature for mainstream audiences. Friday's mainstream openings are as follows: 

"Focus" (IMAX but no 3D, regular): Will Smith plays a con man who loses his head over an attractive blond partner. Or … does he? Does anyone remember "The Sting"? Or is that expecting too much from a contemporary audience?

"Lazarus Effect": Olivia Wilde lives up to her surname by playing a medical student whose revival from certain death takes a toll on everyone around her. Where's an exorcist when we really need one?

"Big Hero 6": Disney's inflatable superhero robot returns for another run. How many Oscars has the studio that Walt built won now, anyway? More to the point, how many has it deserved?

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