I remember when Woody Allen films never received a first-run release in Spokane. Or, rather, their Spokane first runs occurred long after the rest of the country had screened them. And sometimes they never opened here at all. Let's be thankful that era has passed, since it gives us the opportunity to see “Magic in the Moonlight” when it opens on Friday.
Allen's newest work is only one of eight films that open this week (the comedy “Let's Be Cops” opens Wednesday), which makes the second week of multi-movie premieres.
The week's openings are as follows:
“Let's Be Cops” (opens Wednesday): The trailers for this offbeat comedy, which has two guys (Jake Johnson, Damon Wayans Jr.) getting off by pretending to be police officers, seem hilarious. But director Luke Greenfield gave us Rob Schneider's 2001 comedy “The Animal.” So muting your expectations met be a safe bet.
“The Giver”: It's taken more than 20 years for Hollywood to bring Lois Lowry's Newbery Award-winning 1993 novel to the big screen. It will be interesting to see whether director Philip Noyce (“Rabbit-proof Fence”) is able to avoid Hollywood's cookie-cutter stylistic tendencies. The trailer, which is full of pretty young faces (including Taylor Swift), would seem to say not.
“The Expendables 3”: Sylvester Stallone, Jason Statham, etc., return. Question: How many times can an “expendable” survive before becoming labeled “intrinsic”?
“Magic in the Moonlight”: Allen's newest has Colin Firth playing a magician charged with unmasking a spiritualist fake (Emma Stone). Reviews are mixed to good for what is a blend of the downbeat with romantic fluff. But beware: Rex Reed gives it a top rating.
And at the Magic Lantern:
“Rich Hill”: This hard-hitting documentary focuses on three teen boys who cope with all the trappings of poverty — anger, frustration, want, a lack of good parenting, etc. Stylistic but ever-so depressing.
“Mood Indigo”: Michel Gondry (“Eternal Sunshine of the Spotless Mind”) gives us this love story (based on a novel) about a wealthy guy (Romain Duris) who wants to cure his lover (Audrey Tautou) from a curious ailment involving a flower growing in her lungs. Is this death by whimsy?