Since it opened on Broadway in 1980, the musical "42nd Street" has won a number of awards. A Tony for Best Musical, an Olivier in 1984 in London for Best Musical, and a second Tony in 2001 for Best Revival.
It's that show, now closed, that is the focus of the movie event that will screen at 7 p.m. on Wednesday, May 1, at two Inland Northwest locations: Regal Cinemas theaters at Northtown Mall and Coeur d'Alene's Riverstone Stadium.
The Telegraph described the show as "an American classic right royally revived." And as a United Kingdom publication, the paper knows all about things royal-plated.
Even though mainstream theaters likely will be engaging in an "Avengers" film fest this coming Friday, Spokane's Magic Lantern Theater will continue to offer its diverse and continually intriguing slate of independent films.
Opening on Friday at the Lantern are:
"High Life": Robert Pattinson joins a cast that includes Juliette Binoche and Andre Benjamin as a man who lives with his daughter and a few others in an isolated space station. Question is, what are they doing there?
"Little Woods": Two sisters (Tessa Thompson, Lily James) struggle to make ends meet in a post-boom fracking town of Little Woods, North Dakota. Is that anywhere near, uh, Fargo?
"Her Smell": A rocker (Elizabeth Moss) past her prime attempts to clean up her act so that she can get her career back on track. Not the most attractive title, am I right?
Note: The Lantern will also open a second-run screening of "The Mustang." To hear a "Movies 101" review of the film, plus comments about "Transit" and "Ash Is Purest White," click here.
If you do drop by, say hi to the manager Jonathan.
You can aways tell when a movie scares away all the other studios. Every producer decides to find another opening date.
And that should be the case come Friday when the only major movie listed on the national release schedule is the latest (the last?) offering, courtesy of Marvel Entertainment, in one of the most popular superhero series of all time:
Karyn Kusama's film "Destroyer" was publicized last year, but it never received a wide-spread release. I finally was able to see it at home and was prompted to review it for Spokane Public Radio:
Beauty may not be a guarantee of success in life. But it can’t hurt, at least when the success we’re talking about involves the film industry. (All references to the likes of Harvey Weinstein aside, of course.)
Just consider Nicole Kidman. Over the course of her career, Kidman has a played a number of different characters – and she’s imbued each one with some unique quality.
From roles as diverse as the murderous Suzanne Stone in “To Die For” to the resentful wife Alice Harford in “Eyes Wide Shut,” from the haughty school prefect Nicola Radcliffe in “Flirting” to the troubled title character in “Margot at the Wedding,” Kidman has shown an ability not only to make her characters seem believable but to garner each at least a measure of sympathy.
Even Suzanne Stone, whom I described – you’ll recall – as murderous.
It helps, of course, that Kidman possesses a kind of luminescent beauty that can’t be disguised, even when hidden behind a honker of a fake nose in the role that earned her a Best Actress Oscar – that of the doomed writer Virginia Woolf in Stephen Daldry’s “The Hours.”
And that beauty shines through almost as well in the crime thriller “Destroyer,” which though released last year never played in more than 200-odd theaters. “Destroyer” is available for streaming through Amazon Prime.
Not that director Karyn Kusama, working from an original screenplay by Phil Hay and Matt Manfredi, didn’t do her best to make Kidman ugly. Kidman plays Erin Bell, a Los Angeles police detective nearly two decades past an event she endured as an undercover FBI agent that nearly killed her and set her life on a self-destructive course.
Her penchant for self-abuse can be seen in the lines that mark her face, not to mention that fact that she looks at least a week past her last shower.
“Destroyer” opens with Bell coming upon a tattooed corpse that she recognizes. Then the film begins playing with time and space, not always in an easily comprehensible way, and we discover that Bell is hell-bent on a personal investigation. Someone has sent her a dye-stained 100-dollar bill, a relic from the life-changing event, and soon she is off, tracking down the principals from her past so that she can locate one in particular: a guy named Silas.
To explain much more would take us into spoiler territory. It’s enough merely to say that there’s a good reason why Bell is so intent on finding Silas – and why she’s basically been sleepwalking through life for so long.
Not that everything about “Destroyer” works. For one thing, any competent police chief would have fired Bell long ago – or, short of that, ordered her to at least wash her hair. For another, Bell’s gestapo tactics often make Kusama’s film feel too much like a “Rambo” flick.
Yet Kusama does film a couple of stirring bank robberies, and she gets solid performances from a cast that includes Sebastian Stan, Tatania Maslany and Bradley Whitford.
And, of course, Kidman, whose talent for portraying complex characters surpasses even a skilled makeup artist’s attempts to mask her natural beauty.
It used to be that fans of Japanese anime had to wait for films to be released on video or DVD to see the latest — or even the classic — releases of their favorite films. Those days, we can safely say, have passed.
And not just because various streaming services offer animated films of all types to be seen at home.
Yet nothing beats seeing a film on a big screen. And in a way to get more full use out of their facilities, movie theaters across the nation have been doing more and more special screenings of all types of movie entertainment, from Christian-themed films and musicals to, yes, Japanese animation.
Which is why Spokane-area film fans will be able to see the film "Okko's Inn" at 7 p.m. in both subtitled and dubbed formats on Tuesday (subtitled) and Wednesday (dubbed) at the Regal Cinemas theater at Northtown Mall.
Based on a popular series of children's novels, which then became a television series, "Okko's Inn" was directed by former Studio Ghibli animator Kitarô Kôsaka. The film tells the story of a young girl, whose parents have died, who gains fame by running her own inn — with the help of some friendly but pesky ghosts.
As Pittsburgh Magazine film reviewer Sean Collier calls the film, "an undeniably moving and difficult tale" that "does not quite achieve the magic of the best Studio Ghibli masterpieces, but bears a similar easy — and very watchable — charm."
Above: Ron Ford (at lectern) appeared in a 2015 Stage Left Theater production of "The Laramie Project: Ten Years Later." His film "Funeral in the Park" is one of 13 shorts that will screen on Thursday at the Magic Lantern.
Most of us go to the movies for entertainment, whether that means simply laughing, getting excited, or coming away with conflicted feelings because we've just experienced something that challenges the way we perceive the world.
Some 13 films will screen over the 2-hour, 15-minute program, which include a short intermission.
Spokane has boasted a number of film events over the years, the most current annual event being the 50 Hour Slam. The 2019 version of that festival (of which I am one of several judges) will screen at 7 p.m. on May 4 at the Bing Crosby Theater.
Note: If you plan on attending Thursday's screening at the Magic Lantern, here's a bit of advice: Get your tickets early. And show up early, too. The Lantern's bigger house has only a little more than 100 seats, and they tend to go fast — especially when local artists are featured.
And the nice thing about "RiffTrax" is that it feature a trio of comics who do in the theater what some of us to at home: Jeer at what we're watching.
On Thursday and on April 24, "RiffTrax Live" will makes jokes at the expense of the 1971 low-budget flick "Octaman." A science-fiction film written and directed by Harry Essex, "Octaman" tells the story of a mutated man-octopus who preys on the likes of Pier Angeli and Kerwin Matthews.
The screenings will occur at 8 p.m. on Thursday, 7:30 p.m. on April 24, at the Regal Cinemas' theaters at Northtown Mall and Coeur d'Alene's Riverstone Stadium.
Feel free to go. And to jeer. But mostly to laugh.
"Diane": Mary Kay Place stars as the title character, a woman who does good deeds … and who is hiding some painful memories from her past. Here are some critical comments:
Ann Hornaday, Washington Post: "[A] naturalistic portrait of service and self-sacrifice by way of a quietly astonishing title performance by Mary Kay Place."
Jeannette Catsoulis, New York Times: "In the context of the modern multiplex, 'Diane' amounts to an act of cinematic bravery, not just in its choice of tough-sell material, but in the patience with which Jones tends it."
Owen Gleiberman, Variety: "The past hangs over 'Diane' not just as a burden or nostalgia (though it can be that too), but as an enthralling and entangling reminder of life's mystery."
As always, the Lantern offers movie fans something that challenges our expectations of what a movie should be.
Easter weekend is coming, which is likely why the coming week will see at least two movies that tackle life beyond what we can, uh, resonably imagine. Then again, Disney will provide us some of its traditional anthropomorphism.
The week's opening include:
Breakthrough: A mother's prayers are answered after her son drowns in an icy pond. Sorry for the late spoiler alert.
Penguins: Disney finds a heartwarming story on the coldest continent on Earth. Hey, it's Disney's nature.
For one more weekend, you'll be able to catch the Chinese film "Ash Is Purest White" at the Magic Lantern Theatre. In the review that I wrote for Spokane Public Radio, I try to make a case for why you should:
When ejected from an erupting volcano, molten rock can reach temperatures of some 2,200 degrees Fahrenheit. That’s hot enough to reduce pretty much anything to ash.
Qiao, the lead character of Chinese filmmaker Jia Zhang-ke’s film “Ash is Purest White,” doesn’t get immersed in lava. Metaphorically speaking, though, what she goes through leaves her, if not exactly pure, then certainly wiser about her culture and, more important, about herself.
When we first meet Qiao, she is with Bin, a small-time gang leader who oversees gambling dens as well as doing other – often illegal – jobs for the local mob boss. Independent and confident, yet loyal to Bin, Qiao understands the code to which her partner and his jianghu – or mob – brothers adhere.
And the dictates of that code come into play when a younger group of gangsters makes a grab for power, first eliminating Bin’s boss and then nearly killing him – which Qiao prevents, but only by facing the gang down with a pistol, a serious infraction in China that earns her a five-year prison term.
Humbled behind bars, the once-proud Qiao emerges to find that Bin has deserted her. Never one to give up, though, Qiao goes in search of him – proving along the way that she is still able to survive, whether that involves confronting and intimidating a thief or conning a naïve guy harboring a guilty conscience.
And when she does, finally, find Bin, it’s clear who is the stronger of the two.
Qiao is played by the actress Zhao Tao, director Jia’s wife, and she ably carries the film’s weighty intentions, even if not all may be readily comprehensible to Western audiences. There’s the train sequence where Qiao is tempted to go off with a humble-braggart who claims to be doing research on UFOs. And there’s another sequence in which Qiao sees lights moving across a stormy sky that could be actual UFOs or just as likely could be nature’s revenge.
Which isn’t the first time Jia has explored China’s relationship with its changing landscape. Both in “Ash in Purest White” and his 2006 film “Still Life,” Jia spends time in the cities, towns and villages – not to mention among the millions of people – that ended up being displaced by the Three Gorges Dam project.
Not that he takes an overtly political position. Jia isn’t so much a cultural commentator as he is an observer. And that’s understandable. Whatever its detriments, which are many, the Three Gorges project is part of China’s ongoing attempts to shed the remnants of colonial rule and claim what it sees as its rightful place on the world stage.
In terms of Jia’s characters, though, even more may be going on. Bin’s loss of power indicates that he may never have been all that strong to begin with, while Qiao shows that when it comes to understanding the soul of a true jianghu, she has the edge.
In the end, Qiao may not experience either purity or happiness. But she proves better equipped than Bin to bridge old-world codes with those that are new.
We're all into anniversaries, right? Companies such as Hallmark have been making a living on annual birthdays and the like since they were founded. And more and more, the movie industry has followed suit.
In a recent ad for the 2019 Studio Ghibli Fest, it wasn't enough for us to know that this year's event was bringing back some of the great films of Hayao Miyazaki, we had know that some of the films — Miyazaki's 1984 animated film Nausicaä of the Valley of the Wind, which screens on May 20-21 — is celebrating its 35th anniversary.
Same for William Wyler's 1959 take on the novel "Ben-Hur." It's important, it seems, not just that we know the film will be part of special screenings on Sunday (at 1 p.m.) and Wednesday (at 1 and 6 p.m.) at the Regal Cinemas theaters at Northtown Mall and Coeur d'Alene's Riverstone Stadium.
No we have to know, for the math-challenged among us, that the film will be celebrating its 60th anniversary.
Anyway, it's time once again to see why Charlton Heston was, for a time, one of Hollywood's biggest stars. And, by the way, if Heston hadn't died in 2008 at age 84, he would be — on Oct. 4 — celebrating his 96th birthday.
And there are a couple of amendments to Friday's movie schedule. One involves another opening, the other a second run:
"Mia and the White Lion": A young girl moves with her family to Africa (the film was shot in South Africa) where she adopts a lion cub. Will it end up being the king?
And the second run? The Magic Lantern is picking up a run of the film "Hotel Mumbai," which stars Dev Patel and tells the story of the 2008 terrorist attacks in Mumbai, India.
More important, the Lantern will run Jia Zhang-ke's film "Ash is Purest White" only through the coming weekend. So if you want to see this Chinese import, at least on a moderately big screen, this is your last chance. It's definitely worth it.
Over the decades, various movie projects have become legendary. Some because of production difficulties ("Apocalypse Now"). Some because major stars died and had to be replaced ("Solomon and Sheba") or revamped ("The Imaginarium of Doctor Parnassus").
Some, though, earned their legendary status because they were never made. Orson Welles' "The Other Side of the Wind," which was finally was released last year (to wildly mixed but generally favorable reviews), was one. Another was Terry Gilliam's attempt to film his version of "Don Quixote."
Before I go on, note this: Gilliam finally did finish his film, which he titled "The Man Who Killed Don Quixote" and which will screen as a special one-night event at 7 p.m. Wednesday at three area locations: AMC River Park Square, and the Regal Cinemas locations at Northtown Mall and Coeur d'Alene's Riverstone Stadium.
This final version of Gilliam's film is the end result of a project that started more than two decades ago. Such actors as Jean Rochefort and John Hurt (both now dead), not to mention Johnny Depp, had been attached to the project. All this was revealed in a 2002 documentary titled "Lost in La Mancha."
The stars of the completed film include Jonathan Pryce, Adam Driver, Olga Kurylenko and Stellan Skarsgård. Pryce plays Quixote, while Driver is a modern-day ad executive who time travels (this is Gilliam, after all) back to the 17th century and meets the crazy old man who mistakes him for Sancho Panza.
The movie plays for one night, though like other special events might earn a separate release later on. But there's no guarantee that will happen.
And this might be Gilliam's last joust against the windmills of cinema.
Tonight, Tuesday and Wednesday are special movie nights at the Magic Lantern, Spokane's long-running arts theater.
As for tonight, the Lantern will bring back the Native American study "Neither Wolf nor Dog," which explores a tribal elder's attempts to aid a white writer in his efforts to write a book about the Lakota people. Screening time: 6:30.
On Tuesday, filmmaker Matt MCormick will introduce his 2012 experimental documentary "The Great Northwest," which tells the story of 3,200-mile road trip that four Seattle women took in 1958. As described by IMDB.com, the film "is a lyrical time- capsule that explores how the landscape, architecture, and culture of the Pacific Northwest has changed over the past fifty years." Screening time: 7 p.m.
On Wednesday, McCormick will return to introduce his 2017 film "Buzz One Four," which the filmmaker's own web site describes as "Crashed planes, lost nuclear bombs, and an Air Force cover-up: a filmmaker unpacks the secret history of how his grandfather nearly blew-up the eastern seaboard." Screening time: 7 p.m.
McCormick, by the way, is a Portland native who now works an assistant professor of integrated media and art at Gonzaga University. McCormick was the subject of a 2008 video, which can be seen in the embed below:
A range of movie genres is expected to be on display this coming Friday, if the national movie-release schedule is any indication. Here are the projected openings:
"After": Based on the serial novel reputed to be the next "50 Shades of Gray," this dark romance involves a young woman getting involved with a guy harboring a dark secret. All together now, "Oooooooooohhhh!"
"Hellboy": The title character (played this time by David Harbour of "Stranger Things") is called to the English countryside to take on a trio of rampaging giants. Not starring Ron Perlman and not directed by Guillermo del Toro.
"Little": When adult life gets too much for her, a business owner (Regina Hall) suddenly reverts to 13-year-old she once was. Switching ages? Where have we seen some like this before? Maybe here? Or here? Or in a reverse twist here?
"Missing Link": A Mr. Link (voiced by Zach Galifanakis) hires an explorer (voiced by Hugh Jackman) to go with him to find both Shangri-La and his long-lost relatives.
As always, I'll update when the local theaters finalize their bookings.