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Archive: Movies / Spokane and North Idaho

Lantern openings: Life teachings

OK, we're trusting that word from the Magic Lantern this week will be correct. Which refers to the news that "Raiders: The Greatest Fan Film Even Made," which was supposed to open last week, is scheduled to open on Friday.

And the other Lantern Friday opening:

"Gurukulam": A documentary exploring the way life was lived, and how the lessons were taught, at the Indian ashram overseen by the late Swami Dayananda Saraswati (who died in 2015). Bring a worldview — and a sense of humor.

The week’s openings: Animated pets and frat boys

A number of movies could open this week, though only a few actually will. The most likely candidates are:

"The Secret Life of Pets": What happens when a terrier named Max is left alone during the day? He has fun with his pals — that is, until his owner brings home another dog and spoils his happy life. Animated animals. Expect the obligatory breaking-wind jokes.

"Mike and Dave Need Wedding Dates": Brothers Mike and Dave post an online ad for dates to a Hawaiian wedding, and … well, you can imagine the rest. Expect one long pub crawl. (Also, watch the embedded video below.)

I'll update as needed.

Friday’s openings redux: Spies and castaways

Two additions to the week's mainstream (more or less) movie offerings:

"Swiss Army Man": Paul Dano plays a guy marooned on a desert island, and Daniel Radcliffe plays the corpse that becomes his fantasy helper. My favorite headline explainer: "Cast Away" meets "Weekend at Bernie's." Bring an imagination. And maybe a strong stomach.

"Our Kind Of Traitor": This spy flick tells the story of an ordinary man (Ewan McGregor) who becomes involved in a Russian man's attempt to defect with his family. What you need to know: It's based on the John Le Carré novel.

Friday’ openings: Disney meets Spielberg

Two movie traditions offer up new looks on Friday when the week's movie offerings open. Friday's scheduled openings are as follows:

"BFG": Teaming with Disney, Steven Spielberg adapts Roald Dahl's novel about a little girl who makes friend with a Big Friendly Giant. Oh, that's what those letters refer to. I always thought … never mind.

"The Legend of Tarzan": For some reason, the Tarzan stories of Edgar Rice Burroughs refuse to die. This latest effort is directed by "Harry Potter" veteran David Yates. Maybe he can instill some, er, magic into this long-lame concept.

"The Purge: Election Year": The purge is returning, and this time it's targeting a U.S. senator who wants to end it. Don't forget your barf bags.

And at the Magic Lantern:

"Raiders! The Story Behind the Greatest Fan Film Ever Made": This documentary tells the story of two kids who, so in love with "Raiders of the Lost Ark," attempt to film their own version. Geeks galore.

"Dark Horse": The story of a group of working-class English horse lovers who attempt to break into the upper-class world of horse racing. Power to the people.

I'll update as needed.

‘The Conjuring 2’: More Warren malarky

If you still haven't seen "The Conjuring 2," you might want to check out the review of the film that I wrote for Spokane Public Radio:

In 1973, when William Friedkin’s film “The Exorcist” opened, audiences were thrilled. They were frightened. They were grossed out. And they were shocked. But in the end, they were thrilled.

Based on the best-selling novel by William Peter Blatty, “The Exorcist” used a real-life case as its basis. But Blatty changed several aspects of the incident, and as Friedkin’s screenwriter of record, he included those changes in his screenplay.

One thing that neither Blatty nor Friedkin resorted to, however, was claiming that their work was “based on actual events.” They took a riveting story – one that, Friedkin later claimed, was a study of “faith” – and made a movie that many consider one of the scariest of all time.

That was then, though. And, changing with the tenor of the times, James Wan has adjusted accordingly. Known mostly for having co-created the “Saw” series – the films that helped spawn the sub-genre of torture-porn – Wan has become a virtual publicist for the QUOTE-UNQUOTE paranormal investigators Ed and Lorraine Warren.

Based mostly on their association with the case popularly known as “The Amityville Horror,” the Warrens established a reputation. And based on that reputation, they are the stars both of Wan’s “The Conjuring” – which was released in 2013 – and now “The Conjuring 2.”

This new film is a retelling of a 1977 English case the Warrens apparently checked out. And by saying “checked out,” I’m being generous. According to the website History vs. Hollywood, the Warrens were just two of many investigators who visited a house in the North London suburb of Enfield allegedly haunted by a poltergeist. In fact, the site says, “most articles about the Enfield Poltergeist don’t even mention the Warrens.”

Never one to let facts get in the way of a movie plot, director Wan and his team of screenwriters put the Warrens – again played by Patrick Wilson and Vera Farmiga – at the center of the story. Called by the Catholic Church to investigate – the Warrens and Church officials seem to be on first-name bases – Ed and Lorraine travel to London, camp out in the Enfield home of Peggy Hodgson (Frances O’Connor) and her four children. They’re particularly interested in Hodgson’s 11-year-old daughter Janet (played alluringly by Madison Wolfe).

What they find would creep out Bram Stoker. Mysterious noises. Slamming doors. Strange entities. Crosses that turn upside down on their own volition. A levitating Janet. And so on.

And while the movie, through the Warrens, seems to address the understandable skepticism that the real-life Enfield case aroused, it does so in a way designed to act as the straw-man argument the movie then rebuts with spectacular computer-generated bombast.

But as has been proven time and again with computer-generated imagery, camera tricks aren’t a good substitute for actual dramatic flair. After the first half hour, “The Conjuring 2” devolves into a paint-by-number CGI exercise.

In 1973, some frightened audience members actually walked out of “The Exorcist.” James Wan’s lame effort, these four decades later, is more likely to make you walk out yawning – unless, of course, you’re in the market for poppycock.

Another Friday opening: Model horror

Note: This post has been updated to reflect the news that the Magic Lantern is opening no new movies on Friday. On July 1, the Lantern will open "Raiders!: The Story of the Greatest Fan Film Ever Made" and "Dark Horse," plus pick up second runs of "Maggie's Plan" and "Love & Friendship."

Yep, there's an addition to the mainstream movie listing. It's the latest by cult director Nicholas Wind Refn. Friday's added opening is as follows:

"The Neon Demon": Danish-born Refn wrote and directed this contemporary horror film about a young fashion model in Los Angeles (Elle Fanning) who attracts the envy of all the models she encounters. Sounds like a scenario for a new reality show: "Desperate Supermodels of L.A."

FYI, just so you know what to expect, check out this snippet of a review by The Telegraph following the film's premiere at Cannes: "It’s by far the most divisive film to have screened in competition at Cannes this year: before the end credits had even begun to roll, some audience members were already on their feet, yelling abuse at the screen (It’s only fair to report there was also a phalanx of applauders, of which I was one.)"

Sounds like a Nathan Weinbender film if ever there was one.

Friday’s openings: Sharks, aliens and history

The final movie listing of the week seldom becomes final before Wednesday. But the Hollywood schedule is usually set months in advance. So based on what IMDB is reporting, here are Friday's supposed movie openings:

"Independence Day: Resurgence": Roland Emmerich follows his 1996 alien-invasion action flick with this sequel about the aliens invading yet again. But this time Will Smith's character isn't around to help save the day. Think that will make a difference?

"The Shallows": A young medical student (Blake Lively) goes on vacation, gets stranded on a rock as a giant shark circles her perch. It's like some Hollywood producer thought, "Hey, let's make a movie about that young woman who gets eaten during the first 10 minutes of 'Jaws!' "

"Free State of Jones": Based on actual events, this historical drama tells the story of a Mississippi man (Matthew McConaughey) who broke with the South and fought Confederate forces in defense of their own mixed-race community. Why wasn't this taught in history class?

I'll update as needed.

‘The Lobster’ cooks in lukewarm water

David, the protagonist in Greek filmmaker Yorgos Lanthimos’ movie “The Lobster,” is in a bad situation. Just dumped by his wife, David – played by a pudgy Colin Farrell – is forced to take up residence in the strangest hotel imaginable.

Upon checking in, he is told that he has 45 days to find a romantic partner – gay or straight, though not bisexual – or he will be transformed into an animal. He does, of course, have some choice in the matter: He’ll be able to choose what animal he wants to become. Which is what his brother did, a fact we know because his brother is the dog that accompanies David during his hotel check-in.

For David, who seems destined for transformation, the animal he wants to become is the one that Lanthimos uses for his film’s title: a lobster. Why? Because, David explains, lobsters live for 100 years and they remain sexually active the whole time.

And that’s the world that Lanthimos throws us into, one that is as dystopian as it is dismaying. It’s a world that, in so many ways, is also incomprehensible, mainly because David’s life gets progressively more weird. During his stay at the hotel, where partners come together through the sharing of common traits – near-sightedness, for example, or the tendency to bleed spontaneously from the nose – David eventually pairs up with a woman who has no heart, no feelings of tenderness whatsoever.

So he, softie that he inherently is, has to pretend that he is heartless, too – though his pretense slips when his new mate targets his canine brother, which causes David to strike back. After he does, suddenly enough, David finds himself in a forest filled with “loners,” the revolutionaries whose life outside mainstream culture involves running around and dodging the hotel’s residents, who hunt them with drug-laced dart guns.

Ultimately, David does find love – though life among the “loners” turns out to be every bit as demented as life in the hotel, where any kind of sexual activity outside of partnerships is strictly prohibited. In the forest, self-gratification is fine, but any kind of hanky-panky between humans is forbidden. And when David’s lover is dealt with harshly, he faces a choice that seems even more appalling than being transformed into a crustacean.

Lanthimos, who both co-wrote and directed “The Lobster,” creates his grotesque world-view from the opening scene. A woman driving a car, suddenly stops, gets out, stumbles a few feet across a field, pulls out a pistol and shoots what looks like a donkey. Then as she walks away, another donkey comes over and nudges the now dead animal. No context is provided, no explanation given.

Like the best theater of the absurd – Samuel Beckett’s play “Krapp’s Last Tape,” for example – some early moments in “The Lobster” seem funny. But that feeling fades, leaving us with a sense of fatalism but without a larger sense of actual meaning.

Madman that he was, Beckett could do both. Imagine what he could do with a man who yearns to be a lobster.

No ‘Dark Horse’ for the Magic Lantern

And the first adjustment to the movie schedule features a deletion: "Dark Horse" will not open at the Magic Lantern on Friday. Seems Sony Pictures wants to play the movie in Seattle first. At least that's the word from the Lantern itself.

Sorry, racing fans. I'll have other news as it becomes available.

Friday’s openings redux: Disney, horses and Hart

Looks as if we have a pair of mixmaster genre offerings on Friday, each of which should offer some bit of mainstream entertainment, along with a couple of Magic Lantern openings. The week's scheduled offerings are as follows:

"Finding Dory": A sequel to 2003's "Finding Nemo," this animated film picks up when the memory-challenged blue tang Dory (voice by Ellen Degeneres) decides that she needs to find her family. She's helped by the clown fish Marlin (Albert Brooks) and Nemo (Hayden Rolence). Another Pixar-Disney offering, blending family entertainment, comedy and adventure.

"Central Intelligence": Ironic title aside, this Kevin Hart comedy teams the diminutive comic with the oversize Dwayne Johnson as mismatched partners involved in crime-fighting. Or something. The blend here is action, "comedy" (if you find Hart funny) and comic intrigue.

And at the Magic Lantern (in addition to a second-run screening of "The Lobster"):

"Dark Horse": The true story of the horse Dream Alliance, a race horse bankrolled by a group of ordinary people in hopes of striking it rich. No fair checking Google to see the plot spoilers.

I'll update as needed.

Friday’s openings: Disney and a little Hart

Looks as if we have a pair of mixmaster genre offerings on Friday, each of which should offer some bit of mainstream entertainment. The week's scheduled offerings are as follows:

"Finding Dory": A sequel to 2003's "Finding Nemo," this animated film picks up when the memory-challenged blue tang Dory (voice by Ellen Degeneres) decides that she needs to find her family. She's helped by the clown fish Marlin (Albert Brooks) and Nemo (Hayden Rolence). Another Pixar-Disney offering, blending family entertainment, comedy and adventure.

"Central Intelligence": Ironic title aside, this Kevin Hart comedy teams the diminutive comic with the oversize Dwayne Johnson as mismatched partners involved in crime-fighting. Or something. The blend here is action, "comedy" (if you find Hart funny) and comic intrigue.

I'll update as needed.

See Best of EWU Film Friday at The Bing

Every filmmaker was, at one time, a beginner. Steven Spielberg made movies in his backyard. Stanley Kubrick taught himself the rudiments of photography while still in high school. P.T. Anderson made his first movie when he was just 8.

So it behooves us all to support young filmmakers. They just might be making the films that one day fill your local metroplexes.

Your opportunity to do so comes Friday night at 7:30 p.m. when a program of short films will screen at the Bing Crosby Theater. The Best of EWU Film features a number of shorts made by students in Eastern Washington University's Film Program.

The 70-minute screening will be followed by a Q&A session and a post-event reception at the Tamarack Public House. The event is free, though a $10 donation is requested.

For more information, click here.

Two late additions: plans and lobsters

Note: Just found out that "The Lobster" (below) actually opened last week. Duh.

Late additions to the week's movie openings, both at AMC River Park Square:

"Maggie's Plan": Greta Gerwig extends her stay as America's goofy sweetheart by playing a woman who, desiring a child on her own, disrupts a couple's seemingly ideal marriage. That's the plan, anyway.

"The Lobster": This dystopian story centers on a society where people have to find romantic partners or be forced to become animals. Guess what animal Colin Farrell chooses?

I'll update even further when, and if, it's called for. (As, if you read the note above, it clearly was.)

Opening at the Lantern: A ‘Weiner’ joke

And from the Magic Lantern, a documentary about a one-time New York political rising star. Opening Friday:

"Weiner": Documentary filmmakers Josh Kriegman and Elyse Steinberg look at the rise and fall of former New York Congressman Anthony Weiner. Let's just say the congressman's surname is a synonym for what ultimately brought the man down.

Friday’s openings: Sequels and videogame CGI

Big week for sequels and a movie adapted from a videogame. Friday's mainstream movie openings are as follows:

"The Conjuring 2": Another adventure into the (ahem) real-life paranormal investigations of Ed and Lorraine Warren, this time in London. Scary, eh what?

"Now You See Me 2": Our crew of magicians returns to attempt an even bigger heist, this time at the behest (not entirely by choice) of a tech magnate (Daniel Radcliffe). Nothin' up my sleeve …

"Warcraft": Straight from the videogame and novel world of Azeroth, this action fantasy involves the needed partnership of groups that distrust each other so that they can fend off an invasion. It's somewhat more complicated than that, but … anyway, you'll see lots of CGI-created teeth and claws and stuff.

I'll have more when the information becomes available.