As a teenager, I became obsessed with the plays of Tennessee Williams. I was, and still am, drawn more to the gentler, sadder studies of thwarted love such as "Summer and Smoke" and "The Glass Menagerie."
But I've also admired his rougher, more angst-filled plays such as "Night of the Iguana," "A Streetcar Named Desire" and especially "Cat on a Hot Tin Roof."
Of course, even though over the decades I have seen various staged productions of each, my obsession was fueled mostly by the versions that I saw on film — usually viewed late at night and rendered exclusively in black and white. "Cat on a Hot Tin Roof" in particular has enjoyed a number of adaptations — the most famous being the 1958 version directed by Richard Brooks and starring Elizabeth Taylor, Paul Newman and Burl Ives (as Big Daddy).
But there have been others. My favorite was the the 1984 "American Playhouse" version starring Jessica Lange, Tommy Lee Jones and Rip Torn. Why my favorite? Because the three principal actors, especially Torn, seemed earthier, and more believable as the characters they were portraying. And well … because they offered something different than the Brooks version.
Now we have a "Cat on a Hot Tin Roof" for a new generation. Fathom Events presents the National Theatre Live version of Williams' play for one night only, 7 p.m. on Thursday, at Regal's Northtown Mall 12.
The play is a filmed production that was staged in 2017 in London's West End. It stars Jack O'Connell, Sienna Miller and Colm Meaney. "(T)his Young Vic production brings combustible conviction to a smoldering classic that has only rarely ignited in performance in recent years," wrote New York Times reviewer Ben Brantley.
Now, if only they'll do a restaging of "Summer and Smoke."